Folder 49
Catalogue number BM-519, read at native resolution off the front flap and repeated on the spine - matches exactly one entry in the committed version list, Discogs 21548515, and no others.
Every line below was read off a native-resolution crop of the photograph named beside it.
J-card front flap: Baron wordmark over a rearing-horse device with MUSIC in a red band, and the same wordmark and horse repeated rotated on the adjoining flap
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J-card front flap, beneath the logo: catalogue number BM-519
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J-card front panel: 'IRON MAIDEN' over 'SEVENTH SON OF A SEVENTSH SON' - the title misspelt SEVENTSH, above a colour reproduction of the album artwork
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J-card spine: Baron horse logo, BM-519, 'IRON MAIDEN', '- SEVENTH SON OF A SEVENTSH SON -', and stereo / also playable mono
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J-card bottom edge: stereo over 'also playable mono' (printed twice, on the panel and on the flap), a double-D device, a boxed DOLBY SYSTEM, and "Dolby'' and double-D symbol are trademarks of Dolby Laboratories"
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J-card rights notice, set along the outer flap: 'ALL RIGHTS OF THE PRODUCER AND OF THE OWNER OF THE WORK REPRODUCERED RESERVED. UNAUTHORISED COPYING, HIRING, LENDING, PUBLIC PERFORMANCE AND BROADCASTING OF THIS CASSETE PROHIBITED.' - REPRODUCERED and CASSETE as printed. No licensor, distributor, rights society or country is named anywhere in it
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Shell, side A: a typewritten paper label in three ruled lines - 'IRON MAIDEN' / 'Seventh Son Of A Seventh' / 'Son'. Typed, not printed, and it carries no catalogue number, tape type, plant or country
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Shell, side B: bare clear plastic - no printed shell text, no tape-type or Dolby marking, and no moulded lettering legible at native resolution
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J-card rear panel: 'IRON MAIDEN' over '- SEVENTH SON OF A SEVENTSH SON -', then SIDE. A: B: followed by all eight titles in one unbroken run (MOONCHILD, INFINITE DREAMS, CAN I PLAY WITH MADNESS, THE EVIL THAT MEN DO, SEVENTH SON OF A SEVENTH SON, THE PROPHECY, THE CLAIRVOYANT, ONLY THE GOOD DIE YOUNG) - no side split and no running times
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J-card rear panel, closing line: ℗ 1988 MUSIC AND LYRICS BY: HARRIS, SMITH, DICKINSON, MURRAY - the only date printed anywhere on the item. Nothing follows it: the rest of the panel is blank
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IMG_1276.jpg1 of 2READ FROM
SEVENTSH), plus REPRODUCERED and CASSETE in the rights notice. Consistent with the 'Unofficial Release' descriptor on the matching Discogs row, though not by itself proof of it.BM-519, read at native resolution off the front flap and repeated on the spine - matches exactly one entry in the committed version list, Discogs 21548515, and no others.Baron / MUSIC wordmark and rearing-horse device, matching the 'Baron Music' label credited on that same single candidate. This is the same match axis as the catalogue number rather than an independent one, so it corroborates without adding a second dimension.ZAiKS over BIEM is what named Poland on folder 48), no 'Made in' line, no barcode, no distributor and no printer block on the card, the shell or the case. This is the missing dimension, and it is why the grade is not Probable.Bruce Dickinson - vocals · Dave Murray - lead and rhythm guitar · Adrian Smith - lead and rhythm guitar, synth · Steve Harris - bass, string synth · Nicko McBrain - drums.
Produced, engineered and mixed by Martin Birch. Mastered by George Marino at Sterling Sound, New York. Recorded at Musicland Studios, Munich. Sleeve illustration, concept and design by Derek Riggs (with Rod Smallwood). Inner-sleeve photograph by Ross Halfin. Published by Zomba Music Publishers Ltd.
Personnel and studio credits are sourced from Discogs release 576952, the UK original, and apply to the recording rather than to this pressing. The producer, publisher and copyright lines are independently corroborated by this copy's own label, quoted above.
A photograph cannot grade a record - this is a description of what is visible, not a grade.
Nothing on this page comes from playing the record. No Goldmine grade is claimed for it, or any other. I have no record of where this copy came from.
Settled by the owner on 2026-09-18 -- the closing paragraph of this section says so, and the grade above follows it. What comes first is the photographic case exactly as it stood before that, present tense and all: where it says this copy stops at Narrowed, it means the photographs stop there, which is still true and is why the candidates are still listed.
One candidate, and the country is still not established. Reading the fine print at native resolution gave the catalogue number BM-519 on the J-card's front flap and again on its spine, alongside a Baron / MUSIC wordmark and rearing-horse device. Exactly one row in the committed version list carries that catalogue number - Discogs 21548515, Poland, Baron Music, cassette, 'Album, Unofficial Release, Stereo', with no release date - and it is also the only Baron Music entry on the master at all. Its label, catalogue number, format and 'Stereo' descriptor all agree with this copy.
What is missing is any country evidence on the object. The card carries no rights society, no 'Made in', no barcode, no distributor and no printer block; the shell carries no printed text on either face and no moulded lettering readable in these photographs; the case is a plain unmarked library case. The rights notice - the one block of small print that usually names a licensor or a territory - names neither, and is itself misspelt (REPRODUCERED, CASSETE). So Poland here is the Discogs row's attribution, not a reading, and this file's header says so rather than presenting it as observed.
Why this is Narrowed (1) and not Probable. Probable means a candidate matched on country and catalogue number with no second release-specific detail to cross-check. The country half of that is absent. That is the skill's 'Catalogue only' case, which this pipeline's grade set does not carry, so it is recorded as Narrowed across the candidates sharing the matching catalogue number - of which there is exactly one. A single surviving candidate is not proof in either direction: the version list is incomplete by construction, and an unofficial cassette label is precisely the kind of issue most likely to be missing from it or listed under a country assigned by a submitter rather than printed on the item.
The ℗ 1988 line on the rear panel gives the year in the header. It is the publishing date for the songs, not a dated release row - the matching Discogs entry records no release date - so 1988 is a floor for when this tape could have been made, not a statement of when it was.
Cassettes are the weakest format here, and this is close to the floor of it. There is no run-out or deadwax equivalent to fall back on. Folder 48, the other unofficial Polish cassette in this collection, at least had a ZAiKS over BIEM stamp printed on its card and settled its country independently; this copy has nothing of the sort. Every legible string on it comes from the J-card, and side A is titled only by a paper label someone typed on a typewriter - which reproduces the card's own Seventsh misspelling, so it was copied from the card and says nothing about the pressing.
What would settle it: a country marker anywhere on the item. Two surfaces were not photographed and are the places one would still be: the inside faces of the folded J-card (the panels hidden against the shell when the card is in the case), and the inner faces of the shell halves, where an unlabelled cassette often carries moulded plant or country text that no outside shot reaches. A ZAiKS or BIEM stamp, or a 'Made in' line, on either would lift this to Probable outright. Playing the tape would not help: the open question is where the tape was made, and the card gives no side split to check a sequence against anyway.
Standing caveat: this method cannot exclude a pressing absent from Discogs.
Pinned by the owner, 2026-09-18. Everything above is what the photographs support on their own, and it is left standing unedited. On top of it the owner, holding the cassette and reading the candidate release pages against it, identifies this copy as Discogs 21548515, and the folder is graded on that. It is an owner's judgement, not a new detail in the frames: withdraw it and the case reverts to the narrowing above.