Folder 202
EMI-Odeon S.A.I.C., Florida, Buenos Aires (manufacturer and distributor, per inlay and shell)
Every line below was read off a native-resolution crop of the photograph named beside it.
Inlay front and spine: 'IRON MAIDEN', 'SEPTIMO HIJO DE UN SEPTIMO HIJO', 'EMI' logo, Dolby double-D mark, '20044' on spine and front; Spanish track titles 'FAZ A: 19'22' / 'FAZ B: 23'26'; 'Cassette - Industria Argentina'
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Inlay interior: 'SADAIC-BIEM AADI-CAPIF'; 'FABRICADO Y DISTRIBUIDO POR EMI-ODEON S.A.I.C. SAN MARTIN 3590 - FLORIDA - BUENOS AIRES'; 'INDUSTRIA ARGENTINA - MARCAS REGISTRADAS'; 'Dolby Tipo B'; '(P) 1988 EMI Records Ltd.'
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Shell side 1, white shell, brown print: '20044', 'EMI', '1', 'M.R.', 'INDUSTRIA ARGENTINA', 'FAB. Y DIST. POR EMI-ODEON S.A.I.C.', 'SAN MARTIN 3590 - FLORIDA - BS. AS.', 'SADAIC-BIEM', 'AADI-CAPIF', '(P) 1988 EMI RECORDS Ltd.', moulded 'EMI' in the shell corner
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Shell side 2, same print with '2' and tracks '1) SEPTIMO HIJO DE UN SEPTIMO HIJO - 2) LA PROFECIA - 3) LA CLARIVIDEN-TE - 4) SOLO LOS BUENOS MUEREN JOVENES'
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Scalloped silver shop sticker inside the case: 'Scala MUSICA', 'LAS HERAS 252 - LAVALLE 7', 'SAN MARTIN 1526 - MZA.'
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IMG_4233.jpg1 of 7READ FROM
Bruce Dickinson - vocals · Dave Murray - lead and rhythm guitar · Adrian Smith - lead and rhythm guitar, synth · Steve Harris - bass, string synth · Nicko McBrain - drums.
Produced, engineered and mixed by Martin Birch. Mastered by George Marino at Sterling Sound, New York. Recorded at Musicland Studios, Munich. Sleeve illustration, concept and design by Derek Riggs (with Rod Smallwood). Inner-sleeve photograph by Ross Halfin. Published by Zomba Music Publishers Ltd.
Personnel and studio credits are sourced from Discogs release 576952, the UK original, and apply to the recording rather than to this pressing. The producer, publisher and copyright lines are independently corroborated by this copy's own label, quoted above.
A photograph cannot grade a record - this is a description of what is visible, not a grade.
Nothing on this page comes from playing the record. No Goldmine grade is claimed for it, or any other. I have no record of where this copy came from.
Only one Argentine cassette (20044) is listed; a second release-specific detail would be needed to rule out an uncatalogued Argentine repress on the same number.