All 134 pressings

Folder 202

Argentina

EMI-Odeon S.A.I.C., Florida, Buenos Aires (manufacturer and distributor, per inlay and shell)

Catalogue
20044
Label
EMI
Released
1988
Confidence
Likely
Why this grade

Argentine EMI-Odeon cassette, catalogue 20044 on the inlay and both sides of the shell, 'Industria Argentina' on both. It is the only Argentine cassette in the version list and the only entry carrying 20044, which also matches the owner's note "20044" -- that note agrees with the photographs rather than deciding anything. No second detail unique to this release is legible (SADAIC-BIEM / AADI-CAPIF and the Dolby mark are shared by every Argentine release of the period), and the version list is never complete, so a later Argentine cassette run on the same catalogue number cannot be ruled out.

Reference
Discogs 4469224
Median sale
DKK 158
Sale range
DKK 151-164
On sale now
4, from DKK 197
Last sold
16 July 2026
A photograph of pressing 202, Argentina

What the record says

Every line below was read off a native-resolution crop of the photograph named beside it.

Every line of small print, and the photograph it came from — 5 of them

Inlay front and spine: 'IRON MAIDEN', 'SEPTIMO HIJO DE UN SEPTIMO HIJO', 'EMI' logo, Dolby double-D mark, '20044' on spine and front; Spanish track titles 'FAZ A: 19'22' / 'FAZ B: 23'26'; 'Cassette - Industria Argentina'

IMG_4233.jpeg, IMG_4234.jpeg

Inlay interior: 'SADAIC-BIEM AADI-CAPIF'; 'FABRICADO Y DISTRIBUIDO POR EMI-ODEON S.A.I.C. SAN MARTIN 3590 - FLORIDA - BUENOS AIRES'; 'INDUSTRIA ARGENTINA - MARCAS REGISTRADAS'; 'Dolby Tipo B'; '(P) 1988 EMI Records Ltd.'

IMG_4235.jpeg, IMG_4236.jpeg

Shell side 1, white shell, brown print: '20044', 'EMI', '1', 'M.R.', 'INDUSTRIA ARGENTINA', 'FAB. Y DIST. POR EMI-ODEON S.A.I.C.', 'SAN MARTIN 3590 - FLORIDA - BS. AS.', 'SADAIC-BIEM', 'AADI-CAPIF', '(P) 1988 EMI RECORDS Ltd.', moulded 'EMI' in the shell corner

IMG_4238.jpeg

Shell side 2, same print with '2' and tracks '1) SEPTIMO HIJO DE UN SEPTIMO HIJO - 2) LA PROFECIA - 3) LA CLARIVIDEN-TE - 4) SOLO LOS BUENOS MUEREN JOVENES'

IMG_4239.jpeg

Scalloped silver shop sticker inside the case: 'Scala MUSICA', 'LAS HERAS 252 - LAVALLE 7', 'SAN MARTIN 1526 - MZA.'

IMG_4237.jpeg

The photographs

IMG_4233.jpg1 of 7READ FROM

The object, and what marks it out

Sleeve, labels and inserts

  • Printed card inlay in purple with the cover painting, Spanish tracklist and credits on the inside panel
  • White EMI shell with the label text printed directly on the plastic in brown, textured grid finish, screwed construction
  • Black-backed case carrying a scalloped silver retailer sticker from Scala Musica, Mendoza

What distinguishes this pressing

  • EMI-Odeon S.A.I.C., Florida, Buenos Aires (manufacturer and distributor, per inlay and shell)
Eight tracks, two sides, and the recording credits

Side A

  1. A1Moonchild
  2. A2Infinite Dreams
  3. A3Can I Play With Madness
  4. A4The Evil That Men Do

Side B

  1. B1Seventh Son Of A Seventh Son
  2. B2The Prophecy
  3. B3The Clairvoyant
  4. B4Only The Good Die Young

Bruce Dickinson - vocals · Dave Murray - lead and rhythm guitar · Adrian Smith - lead and rhythm guitar, synth · Steve Harris - bass, string synth · Nicko McBrain - drums.

Produced, engineered and mixed by Martin Birch. Mastered by George Marino at Sterling Sound, New York. Recorded at Musicland Studios, Munich. Sleeve illustration, concept and design by Derek Riggs (with Rod Smallwood). Inner-sleeve photograph by Ross Halfin. Published by Zomba Music Publishers Ltd.

Personnel and studio credits are sourced from Discogs release 576952, the UK original, and apply to the recording rather than to this pressing. The producer, publisher and copyright lines are independently corroborated by this copy's own label, quoted above.

Condition, from the photographs

A photograph cannot grade a record - this is a description of what is visible, not a grade.

  • Case/inlay: general handling wear with some edge and corner softening; no cracks or splits visible in these shots.
  • Shell: light surface marks and handling wear are visible. No visible warping, tape spillage or shell damage in these photographs.

Nothing on this page comes from playing the record. No Goldmine grade is claimed for it, or any other. I have no record of where this copy came from.

What is settled, and what is not

Only one Argentine cassette (20044) is listed; a second release-specific detail would be needed to rule out an uncatalogued Argentine repress on the same number.