Folder 20
Yugoslavia
Second copy of the Yugoslavian pressing; rim names Jugoton.
What the record says
Every line below was read off a native-resolution crop of the photograph named beside it.
No run-out groove photograph exists in this folder.
Barcode and Other Identifiers: Matrix / Runout
As Discogs records them for release 1962519. Green: in my collection (2 of 2). Red: missing.
Every line of small print, and the photograph it came from — 6 of them
Label: LSEMI 78059
IMG_0700
Label: EMD 1006 / (EMD 1006B) retained alongside it
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Label: SOKOJ · JUS N N4 201
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Label rim: PO LICENCI EMI PROIZVEO JUGOTON ZAGREB JUGOSLAVIJA
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Label rim: SVA PRAVA IZDAVAČA I VLASNIKA SNIMLJENOG DJELA SU PRIDRŽANA. ZABRANJENO JE NEOVLAŠTENO UMNOŽAVANJE, POSUĐIVANJE, IZNAJMLJIVANJE, JAVNO IZVOĐENJE I EMITIRANJE OVE PLOČE
IMG_0700
Label: EMI in box, 33⅓ RPM, OTHER SIDE / THIS SIDE track split
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The photographs
IMG_0695.jpg1 of 7READ FROM
The object, and what marks it out
Sleeve, labels and inserts
- Outer sleeve - single, standard artwork, locally printed.
- Inner sleeve - present.
- Labels - the EMI globe design with the Yugoslav text block, identical in setting to folder 11.
What distinguishes this pressing
- The same edition as folder 11 - a second copy rather than a different pressing, so far as the photographs show.
PO LICENCI EMI PROIZVEO JUGOTON ZAGREB JUGOSLAVIJA- "produced by Jugoton, Zagreb, under EMI licence". This copy's frame caught the manufacturer line that folder 11's cropped.SOKOJ- the Yugoslav authors' society.JUS N N4 201- the Yugoslav national-standard reference.
Eight tracks, two sides, and the recording credits
Side A
- A1Moonchild
- A2Infinite Dreams
- A3Can I Play With Madness
- A4The Evil That Men Do
Side B
- B1Seventh Son Of A Seventh Son
- B2The Prophecy
- B3The Clairvoyant
- B4Only The Good Die Young
Bruce Dickinson - vocals · Dave Murray - lead and rhythm guitar · Adrian Smith - lead and rhythm guitar, synth · Steve Harris - bass, string synth · Nicko McBrain - drums.
Produced, engineered and mixed by Martin Birch. Mastered by George Marino at Sterling Sound, New York. Recorded at Musicland Studios, Munich. Sleeve illustration, concept and design by Derek Riggs (with Rod Smallwood). Inner-sleeve photograph by Ross Halfin. Published by Zomba Music Publishers Ltd.
Personnel and studio credits are sourced from Discogs release 576952, the UK original, and apply to the recording rather than to this pressing. The producer, publisher and copyright lines are independently corroborated by this copy's own label, quoted above.
Condition, from the photographs
A photograph cannot grade a record - this is a description of what is visible, not a grade.
- Sleeve: general handling wear with some edge and corner softening; no splits or seam separation visible in these shots.
- Vinyl: light surface marks and handling sheen catch the light. No visible deep scratches, warping or edge damage in these photographs. The labels are clean and unmarked.
Nothing on this page comes from playing the record. No Goldmine grade is claimed for it, or any other. I have no record of where this copy came from.
What is settled, and what is not
One Yugoslavian candidate and nothing further cross-checked on this copy, so Probable.
To settle it: read the run-out. Discogs records release 1962519 as etched LSEMI 78059 A 28 03 88 SB / LSEMI 78059 B 28 03 88 SB, and folder 11 - the same edition - reads exactly that. If this copy does too, it is Confirmed and the two share stampers. (Quoted from Discogs and folder 11 as what to look for; nothing about this copy's etching is claimed.)