Folder 137
Colombia, pressed by Discos CBS under EMI licence. Orange-and-cream EMI labels, FABRICADO EN COLOMBIA, and a run-out that reads COL 111072 - three ones, which is what separates it from the two same-catalogue Colombian pressings Discogs records with two.
Every line below was read off a native-resolution crop of the photo named beside it, except where the source column says otherwise - those rows come from the record itself, by reading it or by playing it, and each says which.
Run-out photographed on both sides across six frames, and read off the record by eye as well. Side one is stamped COL 111072 A 30-12-86, side two COL 111072 B 30-12-86. COL 111072 is legible at native resolution on side one; the date is caught across the neighbouring frames and read off the record whole. 30-12-86 is a cutting date, 30 December 1986, which is three months after the album's European release - this is a local cut, not a stamper shipped from Hayes.
As Discogs records them for release 2256718. Green: in my collection (2 of 2). Red: missing.
| ✓ | Matrix / Runout (Side A) | COL 111072 A 30-12-86 — this copy |
| ✓ | Matrix / Runout (Side B) | COL 111072 B 30-12-86 — this copy |
Front cover: single sleeve with rounded corners, IRON MAIDEN / SOMEWHERE IN TIME, the yellow EMI sun and éstereo top left
IMG_2795
Rear cover, top right: yellow EMI sun logo · éstereo · 111072
IMG_2797
Rear cover, foot: RESERVADOS TODOS LOS DERECHOS DEL PRODUCTOR FONOGRÁFICO Y DE LOS AUTORES DE LAS OBRAS REGISTRADAS EN ESTE DISCO · PROHIBIDA SU REPRODUCCIÓN, ALQUILER, EJECUCIÓN PÚBLICA Y/O RADIOTELEDIFUSIÓN
IMG_2801, IMG_2802
Rear cover, foot: PRODUCTOR FONOGRÁFICO DISCOS CBS S.A. · AFILIADO A ASINCOL · FABRICADO EN COLOMBIA · TAMBIÉN DISPONIBLE EN CASSETTE
IMG_2801, IMG_2802
Rear cover, foot: EMI Records Ltd. · Direct Metal DMM Mastering · DMM is a trademark of TELDEC
IMG_2798, IMG_2800
Label, side one: SOMEWHERE IN TIME · IRON MAIDEN · ESTEREO · A · 33⅓ · 111072
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Label, side one: ℗ 1986 Original Sound Recordings made by EMI Records Ltd. · (C) 1986 Iron Maiden (Holdings) Ltd.
IMG_2803
Label, side one, foot: FABRICADO EN COLOMBIA POR DISCOS CBS S.A. with the boxed CBS logo · ® MARCAS REGISTRADAS
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Label, side one, tracklist: 1. CAUGHT SOMEWHERE IN TIME - Harris · 2. WASTED YEARS - Smith · 3. SEA OF MADNESS - Smith · 4. HEAVEN CAN WAIT - Harris
IMG_2803
Label, side two: ESTEREO · B · 33⅓ · 111072 · 1. THE LONELINESS OF THE LONG DISTANCE RUNNER - Harris · 2. STRANGER IN A STRANGE LAND - Smith · 3. DEJA-VU - Murray - Harris · 4. ALEXANDER THE GREAT - Harris
IMG_2804
Label, both sides: no promotional stamp or overprint of any kind
IMG_2803, IMG_2804
Run-out, side one, stamped: COL 111072 - three 1s, legible at native resolution
IMG_2805
Run-out, side one, continued: the date figures of 30-12-86
IMG_2806
Run-out, side two, stamped: COL 111072 B 30-12-86
IMG_2807, IMG_2808, IMG_2809, IMG_2810
Both run-outs, off the record itself, quoted as written: Side A - COL 111072 A 30-12-86 / Side B - COL 111072 B 30-12-86
read by eye by the owner; filed in this folder as runout - eye.txt
IMG_2795.jpg1 of 16READ FROM
éstereo added at top left of the front and top right of the rear. Edge wear and a nicked top-right corner.EMI behind cream text, the boxed CBS logo of the pressing plant at the lower right.COL 111072 A 30-12-86 in the deadwax, with the full six-digit catalogue number and a side letter - where Discogs records COL 11072 for the two other same-catalogue Colombian LPs.PRODUCTOR FONOGRÁFICO DISCOS CBS S.A. on the rear and FABRICADO EN COLOMBIA POR DISCOS CBS S.A. around the label foot. One rival label pressing another's record, stated on the object.Bruce Dickinson - vocals · Dave Murray - lead and rhythm guitar, guitar synthesizer · Adrian Smith - lead and rhythm guitar, backing vocals, guitar synthesizer · Steve Harris - bass, bass synth · Nicko McBrain - drums.
Produced, engineered and mixed by Martin Birch. Mastered by George Marino at Sterling Sound. Bass, bass synth and drums recorded at Compass Point Studios, Nassau; guitars, vocals and guitar synth recorded at Wisseloord Studios, Hilversum; mixed at Electric Lady Studios, New York. Sleeve illustration by Derek Riggs; sleeve concept by Derek Riggs and Rod Smallwood. Inner sleeve photograph by Aaron Rapoport. Published by Zomba Music Publishers Ltd.
Personnel and studio credits are sourced from Discogs release 1701390, the UK original, and apply to the recording rather than to this pressing. The producer, publisher and copyright lines are independently corroborated by this copy's own label, quoted above.
A photograph cannot grade a record - this is a description of what is visible, not a grade.
No Goldmine grade is claimed for it, or any other. I have no record of where this copy came from.
Confirmed. Colombia is stated on both the sleeve and the labels, and the catalogue number 111072 is printed on the rear and on both labels. Four Colombian entries carry that number, so the question is which:
| Candidate | Verdict |
|---|---|
| 2256718 - LP, Album, Stereo | Matches. Discogs records COL 111072 A 30-12-86 and COL 111072 B 30-12-86; this copy reads exactly that on both sides. Cover has rounded corners, and these are rounded. |
| 4372045 - Limited Edition, Blue | Ruled out twice over. The vinyl here is black, and Discogs records its matrix as COL 11072 A 30-12-86 - a digit short of what is stamped here. |
| 5862771 - LP, Album | Ruled out. Its matrix is COL 11072 30-12-86, again a digit short and with no side letter, and Discogs says its cover is redder and its label design differs from 2256718's. These labels are 2256718's. |
| 11616615 - Promo | Ruled out on the labels. Discogs: “Complete copies come with promo stamp on label and sticker on backcover (UNDER the lamination…)”. Both labels here are clean and the rear carries no such sticker. |
The single digit is doing real work in the first three rows, which is why it was read at native resolution rather than off a survey frame: COL 111072 and COL 11072 look alike at any smaller size.
Standing caveat: this method cannot exclude a pressing absent from Discogs. The version list is incomplete by construction, so a single surviving candidate is a best match, not a proof of uniqueness.
What would close the last gap. The promo is ruled out on an absence - no stamp, no sticker - and an absence is only as good as the coverage. Both labels are shot square-on and clean, and the rear lamination is in several frames, so little is left here; a shot of the rear's lower right corner under raking light would finish it.