All 26 pressings

Folder 106

Japan

Japan, with obi. Toshiba EMI first pressing: the obi's white box promises the poster, and neither label carries the promo overprint.

Catalogue
EMS-91091
Label
EMI, manufactured by Toshiba EMI under licence from Capitol Records
Released
21 September 1984
Confidence
Confirmed
Why this grade

the obi carries the white 初回のみポスター付!! box that Discogs documents for the first pressing alone, and neither label carries the 見本 (非売品) overprint that defines the promotional copy - two independent marks, each ruling out one of the other two 1984 Japanese editions

Reference
Discogs 1689409
Median sale
DKK 780
Sale range
DKK 323-1,856
On sale now
49, from DKK 464
Last sold
21 September 2026
A photograph of pressing 106, Japan

What the record says

Every line below was read off a native-resolution crop of the photograph named beside it.

Run-out photographed, both sides. Side A reads EJ-2402001-TA followed by 1S; side B reads EJ-2402001-TB followed by 1S. The stamper characters after 1S are not resolved in any frame - one further character is visible on each side and neither is legible enough to quote. That matters less than it looks: Discogs records EJ-2402001 - TA 1S 8 4-9 for this release and EJ-2402001 - TA 1S 2 2 4-9Z for the standard issue, so the trailing digits vary by stamper rather than by edition, and all three Japanese candidates share the EJ-2402001-TA/TB root. The obi and the labels are what decide this copy; the run-out corroborates the family.

Barcode and Other Identifiers: Matrix / Runout

As Discogs records them for release 1689409. Green: in my collection (3 of 4). Red: missing.

✓Matrix / Runout (A side - variant 1)EJ-2402001 - TA — this copy, copy 107
✓Matrix / Runout (B side - variant 1)EJ-2402001 - TB — this copy, copy 107
✓Matrix / Runout (A side - variant 2)EJ-2402001 - TA 1S 8 4-9 — this copy
✗Matrix / Runout (B side - variant 2)EJ-2402001 - TB 1S 2
Every line of small print, and the photograph it came from — 15 of them

Obi, front panel: EMS-91091 · ¥2,800 · ロック

IMG_1928

Obi: アイアン・メイデン and パワースレイヴ - the artist and title in katakana

IMG_1928

Obi, white box: 初回のみポスター付!! - poster included with this first pressing only

IMG_1928

Obi, blue subtitle: 死界の王・オシリスの謎

IMG_1928

Obi: アイアン・メイデン第5作が遂に全貌を現わした!

IMG_1928

Obi credits: ●プロデュース/マーティン・バーチ, 解説/伊藤政則, ●対訳/渡辺 淳

IMG_1928

Obi, foot: STEREO · ⊡ ZR28-1218 · boxed EMI - the cassette number carried alongside

IMG_1928

Label, side one: EMS-91091 over (EJ-2402001-TA), with the JASRAC oval beside them

IMG_1935

Label, side one: 33⅓ R.P.M. Stereo, boxed EMI, THIS SIDE / OTHER SIDE tracklists with writer credits

IMG_1935

Label rim: MFD. BY TOSHIBA EMI LTD. IN JAPAN UNDER LICENSE FROM CAPITOL RECORDS, INC.

IMG_1935

Label, side two: SIDE TWO / EMS-91091 / (EJ-2402001-TB), on the eye-in-sand artwork

IMG_1937

Label, both sides: no 見本 (非売品) overprint and no 9/21 release date - the promotional copy carries both

IMG_1935, IMG_1937

Run-out, side A, etched: EJ-2402001-TA … 1S (one further character unresolved)

IMG_1942, IMG_1943

Run-out, side B, etched: EJ-2402001-TB … 1S (one further character unresolved)

IMG_1940, IMG_1941

Insert, colour band photograph, printed along the edge: ●EMS-91091 ⊡ ZR28-1218

IMG_1974

The photographs

IMG_1927.jpg1 of 21

The object, and what marks it out

Sleeve, labels and inserts

  • Obi strip - present, with the white campaign box at one end. This is the component that identifies the release, and the first thing lost from a Japanese copy.
  • Outer sleeve - single, standard Powerslave artwork. Discogs notes this pressing's “outer sleeve has unique texture”.
  • Inserts - the four-page booklet Discogs describes, with colour outer pages (one the eye/lyrics image, one a colour band photograph carrying the catalogue numbers) and Japanese liner notes, lyric transcriptions and a photo discography inside.
  • Labels - the international sand design: side one carries the text and tracklist, side two the eye-in-sand image. Both are clean, with no promotional marking.
  • Vinyl - black.

What distinguishes this pressing

  • The obi's white 初回のみポスター付!! box. Discogs states that only the initial first pressing came with it, and that the subsequent standard issue had “an obi without this indication as well as no poster inside”.
  • Clean labels. The promotional copy of the same catalogue number carries a 見本 (非売品) overprint and a printed 9/21; neither is here.
  • MFD. BY TOSHIBA EMI LTD. IN JAPAN UNDER LICENSE FROM CAPITOL RECORDS, INC. - the Japanese manufacturing statement, absent from every European copy on this shelf.
  • The retained EMI international matrix. The labels print (EJ-2402001-TA) / (EJ-2402001-TB) beside the Japanese EMS-91091, and the run-out carries the same root - the same string the European copy in folder 108 and the Argentine copy in folder 109 carry.
  • Folder 107 is a second copy of this same release, identified on the same two marks. The two are recorded as duplicates rather than differentiated, because nothing legible in either set of photographs separates them.
Eight tracks, two sides, and the recording credits

Side A

  1. A1Aces High
  2. A22 Minutes To Midnight
  3. A3Losfer Words (Big 'Orra)
  4. A4Flash Of The Blade
  5. A5The Duellists

Side B

  1. B1Back In The Village
  2. B2Powerslave
  3. B3Rime Of The Ancient Mariner

Bruce Dickinson - vocals · Dave Murray - lead and rhythm guitar · Adrian Smith - lead and rhythm guitar · Steve Harris - bass · Nicko McBrain - drums.

Produced, engineered and mixed by Martin Birch, assisted by Bruce Buchhalter and Frank Gibson. Mastered by George Marino at Sterling Sound. Recorded at Compass Point Studios, Nassau; mixed at Electric Lady Studios, New York. Sleeve illustration by Derek Riggs; sleeve and design concept by Derek Riggs, Iron Maiden and Rod Smallwood. Photography by Moshe Brakha. Published by Zomba Music Publishers Ltd.

Personnel and studio credits are sourced from Discogs release 1846534, the UK original, and apply to the recording rather than to this pressing. The producer, publisher and copyright lines are independently corroborated by this copy's own label, quoted above.

Condition, from the photographs

A photograph cannot grade a record - this is a description of what is visible, not a grade.

  • Sleeve: general handling wear with some edge and corner softening; no splits or seam separation visible in these shots.
  • Vinyl: light surface marks and handling sheen catch the light. No visible deep scratches, warping or edge damage in these photographs. The labels are clean and unmarked.

Nothing on this page comes from playing the record. No Goldmine grade is claimed for it, or any other. I have no record of where this copy came from.

What is settled, and what is not

Confirmed. Japan and catalogue EMS-91091 are certain from the obi and both labels. Discogs lists three 1984 Japanese vinyl editions under that one number, and two marks on this copy separate all three:

How the other candidates were ruled out
CandidateVerdict
1689409 - initial first pressingMatches. Discogs: “Comes with an obi with a vertical white box in the lower left hand side with text 初回のみポスター付!!”. The box is present and every character of 初回のみポスター付!! is legible in it. Its labels carry no promotional marking, and these do not either.
10765463 - Regular EditionRuled out by the obi. Discogs: “NO poster (only included in first issue with slightly different obi)”, and “Different from [r1689409] because it came with obi without the lower left hand vertical white box indicating ‘with poster’”. This obi has that box.
10240413 - PromoRuled out by the labels. Discogs records that its labels carry “見本(非売品)… as well as the release date 9/21 printed on them”. Both labels here are clean: no overprint, no date.

Standing caveat: this method cannot exclude a pressing absent from Discogs. The version list is incomplete by construction, so a single surviving candidate is a best match, not a proof of uniqueness.

Open, and about completeness rather than identity: the poster. The obi announces one, and Discogs describes this pressing as including “the large giant color poster”. The twenty-one photographs of this folder show the four-page booklet, the eye/lyrics sheet and a colour band photograph that is one of the booklet's own outer pages - they carry the printed catalogue numbers along the edge, which a poster would not. No frame shows a folded poster, and no frame rules one out either. Whether this copy still has its poster is a question for the shelf, not for these photographs.